![]() Because I felt like, at the end of the day, people would visually see how their actions were able to counteract this gesture of hate.” “I asked the museum to uncover the sculpture so everyone could fully absorb and digest what had happened, and to allow people to participate in the restoration of the sculpture in lieu of a more traditional protest. But Self requested they remove the tarpaulin covering it – which she felt “perpetuated more fear and anxiety” – and instead invite the community to practically contribute to its restoration by helping to remove the paint before it was professionally repaired. “That something as relatively innocuous as a sculpture of a woman in a sun hat and sundress, sitting on a chair, can provoke this level of rage and animosity is, in my opinion, solely because the woman is Black.”Īmong the early ideas by the arts centre to respond to the vandalism was an anti-racism protest. In many ways, the fact that a sculpture of a Black woman sitting on a chair could attract such vitriol demonstrated a lot of the ideas that the work was exploring, she said. And people can use their imaginations.”Īnnie Lee's art has been used as decorations for television and movie sets such as “A Different World”, “227,” “Coming to America,” “Boomerang” and “Barber Shop.Tschabalala Self’s sculpture at De La Warr Pavilion, Bexhill-on-Sea, before it was vandalised. “I try to make the movement of the body express the emotion. “You don’t need to see a face to understand emotion,” Lee explained. The show was so successful that Lee allowed prints to be made of four of the paintings, so that she could meet the demand for her work.Ī hallmark of Lee’s work is that the figures she paints are faceless. Despite these problems, she continued to paint, having her first gallery show in 1985. Even worse, the fumes from the acrylic paints she used made her sick. She developed tendinitis and spinal problems from painting so much. Living in such close proximity to her art caused new challenges for Lee. Her railroad job inspired one of Lee’s most popular paintings, “Blue Monday,” which depicts a woman struggling to pull herself out of bed on a Monday morning. ![]() Painting at night was Lee’s haven and release from the pressures of everyday life. While working as the chief clerk at Northwestern Railroad, Annie studied art at night, eventually earning a masters degree in Interdisciplinary Art from Loyola University. By then, she had lost two husbands to cancer and raised a daughter from her first marriage and a son from her second. Lee did not resume painting until she was 40 years old. However, she chose marriage and raising a family over attending school. She continued honing her artistic skills resulting in a four-year scholarship to Northwestern University. in 1935 and raised in Chicago, Lee began painting at age 10 in elementary school, where she won her first art contest and received a free semester of study at the Art Institute of Chicago. I try to paint things that people can identify with,” Lee says.īorn in Gadsden, Ala. Her noted ability to convey feelings through the faceless subjects of her paintings has won her a place in history as one of the icons of African-American art. She has established herself internationally not only as an artist, but a respected and business savvy entrepreneur. ANNIE LEE ART GALLERY Annie Frances Lee is well known for her unique ability to celebrate African-American culture particularly with humor.
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