I had people around me who cared enough to make sure I didn’t fall into those traps.”īell’s songs have also been recorded by Linda Ronstadt, Cream, Jimi Hendrix, Warren Haynes, Bruce Springsteen and The Byrds. I saw a lot of great jazz players in old man Phineas’ band who fell by the wayside because of substances and stuff. “They were hard on me, but they taught me a lot. “All those guys were in their twenties and I was a kid,” says Bell. (piano), and saxophonists Charles Lloyd and Hank Crawford. that included future jazz and R&B legends Phineas Newborn Jr. By the time he was 14, he was performing in clubs and soon joined the blues band helmed by Phineas Newborn Sr. Consider this from No Depression magazine: “The review of this album could be very short: William Bell is a master of soul music who can tear out your heart with one vocal phrase and soothe and comfort with the next, and ‘One Day Closer To Home’ reveals a master at work.”īell was born in Memphis in 1939, and began singing as a child in church. The new album is already inspiring critical acclaim. Of that lot, Turner deserved to be regarded as having similar potential for enduring influence and commercial sustainability in and around country music.The one-two punch of those albums may represent the strongest work of Bell’s storied career. Moreover, famed contraltos include Cher, Etta James and Stevie Nicks. Other mezzo-soprano musical stars include Adele, Beyonce, Miley Cyrus, Sheryl Crow, Janis Joplin, Taylor Swift, and Carrie Underwood. Tina Turner's growling, gritty contralto or mezzo-soprano voice is not unusual in country music and related musical spaces. Still, they were primarily an afterthought. In Nashville, past Linda Martell's four singles released from her 1970 album "Color Me Country," Black women in the space wanted greater involvement. However, in the review, the idea of the songs gaining country radio airplay is downplayed in lieu of more likely soul and pop radio airplay. In a September 1974 edition of Billboard, "Tina Turns the Country On!" is referred to as a "fine mix of country, folky and soft rock tunes" where Tina's voice "perfectly around each cut." It contains cover songs from country and folk artists like Kris Kristofferson, Bob Dylan, Olivia Newton-John, James Taylor and Dolly Parton. Released in September 1974 by United Artists Records, "Tina Turns the Country On!" is Tina's solo studio album debut. Looking to mirror the success of the era's other barnstorming, Grammy-winning acts, like Elvis Presley (three Best Inspirational Performance Grammy awards between 19) and The Pointer Sisters (Best Country Performance by a Duo or Group with Vocal and Best Country Song for "Fairytale" in 1975), the tandem recorded country and gospel albums to pair with their regular spate of rock 'n roll covers and soul-leaning original material to maintain their global success. Moreover, "Nutbush City Limits" was a global Top-20 single. The Ike and Tina Turner Revue was a Grammy-winning and world-renowned act. The song was considered an "absolutely sensational smash" in an August 1973 edition of Cash Box magazine.īy 1974, Tina was still paired with Ike. The biographical song outlines Turner's stereotypical country bona fides by noting that Nutbush is a dangerous, "one-horse town" that penalizes whiskey bootlegging with incarceration, where salt pork and molasses are the only meals served to those behind bars. John's also 1973-released, New Orleans-drenched anthem "Right Place, Wrong Time," opened a door for funk, jazz and rock to intersect with country's rock edge. Hook & the Medicine Show's 1972 hit "Cover Of The Rolling Stone" and Dr. In 1973, Ike and Tina Turner released "Nutbush City Limits," which, alongside Dr.
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